Cast
(In Order of Appearance)
Pastor: Greg Eiden
Mrs. Lars Snustad (Vivian): Rachelle Walljasper
Mrs. Gilmer Gilmerson (Mavis): Jessica Bradish
Mrs. Elroy Engelson (Karin): Nicole A. Korbisch
Miss Beverly Engelson: Krianna Walljasper
Understudies: For Karin–Sheridan Zuther;
for Vivian–Lois Estell; for Beverly–Alexa Johnson; for Mavis–Robbie Mancina; for Pastor–Ken Quiricone.
Understudies never substitute without prior announcement.
Set Design
Erica Zaffarano
Costume Design
Katrina Benedict
Light Design
Scott Herbst
Sound Design
Ryan Milligan
Musical Staging and Choreography
Wendy Short-Hays
Music Direction
Dennis Curley
Directed By
Lexie Wollan Swenson
Production Team
Troupe America, Inc. Production Staff
Company Manager: Jessica Bradish
Production Manager: Ryan Milligan
Stage Manager/ Props: Rachael Endrizzi
Technical Director: Ken Quiricone
Master Electrician: James Eischen
Sound Engineer: Ryan Milligan
Wardrobe Supervisor: Rachelle Walljasper
Tour Transportation: Mayo Tours
Trucking: Stage Call
General Manager: John Tsafoyannis
Tour Bookings: Art Fegan Entertainment
Payroll Services: Asure Payroll
Graphics: Crescent Design
Accounting: Brockman-Marchan Ltd
Legal: Faegre, Baker & Daniels
Synopsis of Scenes
ACT I
Morning of December 19, 1959
(The day of the annual Sunday School
Christmas Program)
Away in the Basement
Company
The Unforgettable Christmas
Program of 1958
Vivian and Company
(Everybody is a Kid Again)
At Christmastime
Karin with Beverly, Mavis, Vivian
Just Not Mary Material
Mavis with Beverly, Karin, Vivian
Always One More Thing
Beverly with Karin, Mavis, Vivian
ACT II
Later that same morning
Away in the Basement (reprise)
Karin, Mavis, Vivian, Pastor
Piñata
Karin and Company
Whatsoever You Doo-wop
Vivian with Karin, Mavis
Reindeer Rendezvous
Pastor and Company
I Think You’d Like Her
Pastor
Jeg Er Så Glad
Company
Finale-Company
PASTOR
Greg Eiden
is grateful, as always, to be a part of
Church Basement Ladies. Recently, he produced his original musical,
War Of The Worlds, A Tribute to Old-Time Radio. Some favorite shows have been:
I Love You, You’re Perfect, Now Change,
Almost Maine,
Tony ’n Tina’s Wedding, A Year With Frog And Toad, Sisters Of Swing, and
A Charlie Brown Christmas. Other musicals he’s written are:
SuperHero: The Musical from The Cubicle, Gift Of The Magi and
Ice Fish’n Op’ner. As always, he wishes to thank his parents for their love and support.
Karin
Nicole A. Korbisch
joins
Church Basement Ladies after recently relocating back to the Midwest from NYC. Growing up Lutheran in small-town Birnamwood, Wis., she is thrilled to return to her roots. Recently, Korbisch donned a habit as
Nunsense’s Sister Robert Anne in Indiana, found her watch always stuck on 5 o’clock in
Jimmy Buffett’s Escape to Margaritaville in Ohio, and embodied the powerful women in Nikola Tesla’s life in
Tesla’s Mistress in Minnesota. Other past favorites have included:
The Last Five Years (Cathy)-tour,
Smokey Joe’s Cafe (Pattie),
The Rocky Horror Show (Magenta),
Avenue Q (Bad Idea Bear, Mrs. T/Kate, Lucy u.s.),
Hairspray (Velma Von Tussle)…to name a few. Thank you for joining us today to share in laughter and live entertainment!
CO-AUTHOR of GROWING UP LUTHERAN
Janet Letnes Martin
grew up in Hillsboro, N.D. where the words Norwegian and Lutheran were synonymous. It was no surprise she graduated from Augsburg College, in Minneapolis, and married Neil Martin, a 100% Scandinavian-Lutheran man from Newfolden, Minn.
Letnes Martin started writing books in 1983. She wrote three books, co-authored three books with Allen Todnem, and one with her sister, Ilene Lorenz, before she teamed up to write and perform with a college friend, Suzann Nelson. They have written nine books relating to their Norwegian-Lutheran rural background. Their book Growing Up Lutheran, What Does This Mean? won the Minnesota Book Award for Humor, and is the inspiration for all nine Church Basement Ladies musical comedies. Letnes Martin and Nelson have performed as a comedy duo Those Lutheran Ladies from the state of Washington to Washington, DC as well as in The Medora Musical. Recently Letnes Martin switched gears and teamed up with author/artist, David W. Cook II, to write a fabulous new humorous book, Lemonade for the Lawnboy: The Executives Wives' Cookbook Committee.
She lives in Hastings, Minn. and feels blessed that her family is all involved in their Scandinavian Lutheran heritage. She is co-owner of Scandinavian Marketplace and the online store scandinavianmarket.com with her daughter and son-in-law, Jennifer and Steve Green. Her daughter, Sarah, is a national representative for the Norwegian Fjord Flatware Company, and her youngest daughter Katrina Benedict is the costumer of Church Basement Ladies Away in the Basement. She is grateful that her husband Andy knows how to make egg coffee. Her granddaughters, Sophia, Ariana, and Myana Green and Nora Benedict are the loves of her life. She dedicates her contribution to this play, to her late husband, Neil, whom she misses dearly.
CO-AUTHOR of GROWING UP LUTHERAN
Susann Nelson
could put “ditto” under Janet Letnes Martin’s bio. Their books and performances as the humorous duo, “Those Lutheran Ladies”, draw upon life experiences growing up as hardworking, church attending, 100% Norwegian-Lutheran farm girls. This is the nucleus of the heartwarming
Church Basement Ladies musicals. She attended universities in Minnesota and Oslo, directed a Norwegian language camp and wrote curricula. Changing from jeans into three-piece suits, she dabbled in government, wrote public policy reports, and struggled to put on pantyhose. In time, humidity and hot flashes prompted her to team up with Letnes Martin for her next act. By then, Suzann, husband Ron, and daughters Senja and Siri, lived in Grand Rapids, Minn. After widowhood set in, she started her online bookstore-www.ruralroutebookstore.com. She spent her days looking for misplaced things and laughing with her four grandkids, and her nights were spent pondering her mortgage. Nelson quite unexpectedly passed away on March 14, 2021, and her children have since found her misplaced things and are thankful her legacy lives on in the
Church Basement Ladies performances. Her online bookstore remains active, and her grandkids are still laughing at their grandma’s antics.
PLAYWRIGHT
Greta Grosch
has worked as a freelance writer, performer and director across the country since 1989 and has a wealth of experience in both commercial and business theatre. An original cast member of
Church Basement Ladies, originated the role of Mavis and continues to perform on stage as a member of the Actors' Union. Grosch wrote the scripts for the last eight installments of the
Church Basement Ladies series, wrote the annual
Medora Musical for 18 years, and has created educational and entertaining programming for various organizations across the country. In addition, Grosch is a voice over and commercial artist, works as an advocate for high school musical theatre, and is a founding member of the
The Looney Lutherans. Grosch wishes to thank Curt Wollan, Janet Martin, Suzann Nelson and the original cast for their support and inspiration over the years, and dedicates this show to her sister, who married a real live Norwegian bachelor farmer and lives on a Christmas tree farm overlooking a fjord in Norway. Seriously. For more information visit
gretagrosch.com.
COMPOSER, LYRICIST
Drew Jansen
is in the midst of a multi-faceted career as a pianist, composer/lyricist (including the wildly-successful national hit
Church Basement Ladies, on-camera announcer (“Ernie” on Comedy Central’s cult classic
Let’s Bowl, scriptwriter (including the new season of
Mystery Science Theatre, 3000), actor (most recently “Frederik”
A Little Night Music and “Boolie” in
Driving Miss Daisy, singer, and commercial on-screen and voice actor. He also enjoys touring the country as music director/pianist/vocalist for
Close To You: The Music of The Carpenters. He expresses deep gratitude for his CBL family, and especially for each of you reading these words right now. Mange Takk!
PRODUCER
Curt Wollan
is the president and executive producer–director for Troupe America, Inc. He has directed many National Tours including
Steel Magnolias,
Driving Miss Daisy,
The 1940’s Radio Hour,
Big River,
Hank Williams–Lost Highway, and Stephen King’s
Ghost Stories. He has also co-produced three National Tours of
Forbidden Broadway, directed
M*A*S*H’s Jamie Farr and William Christopher in the National Tour of
The Odd Couple, the National Tour of
Moon Over Buffalo starring Gavin MacLeod, the National Tour of
The Sunshine Boys starring Dick Van Patten and Frank Gorshin and
Same Time, Next Year starring Mackenzie Phillips and Adrian Zmed. At Nashville’s Ryman Auditorium, he directed Cottonpatch Gospel starring
WKRP in Cincinnati’s Gary Sandy. In the last five years, Wollan has directed ten National Tours of
Church Basement Ladies, two starring
M*A*S*H’s William Christopher as the Pastor, and has directed another twenty productions across the country including The New Theatre Restaurant in Kansas City starring Barry Williams of TV’s
The Brady Bunch as the Pastor. Wollan has been based at the Plymouth Playhouse since 1979, and has directed most of its productions, notably the musical comedies
Church Basement Ladies, Church Basement Ladies 2: A Second Helping, How To Talk Minnesotan The Musical, I Love You, You’re Perfect, Now Change, and Diamond Studs which won the Twin Cities “Kudos” Award for best direction, best vhoreography and best musical. His current project is working with Dolly Parton and an incredible team of writers on a new Christmas musical; Dolly Parton’s
Smoky Mountain Christmas Carol which won a “Jesse” Award in Vancouver for Best Musical of 2020 and opened last holiday season in London’s West End. Wollan dedicates this show to the memory of his mother, Lorraine, who’s church kitchen legacy serves as an inspiration for his work on this production.
PRODUCTION MANAGER/SOUND DESIGN
Ryan Milligan
is a freelance sound designer, engineer, and production manager who has been fortunate to work in theatres all over the country. He has worked with Troupe America for nearly 10 years and has enjoyed being part of many
Church Basement Ladies tours as well as
Pump Boys and Dinettes in 2017! He also served as sound designer and production manager for the
Medora Musical with Curt Wollan's partner company, StageWest Entertainment, from 2015 through 2023. He would like to thank Curt for the countless opportunities, Jessica for sharing this adventure with me, and my family for always being endlessly supportive!
CHOREOGRAPHY
Wendy Short Hays
has been connected with Troupe America for over 25 years. She created the choreography for the original production of
Church Basement Ladies as well as subsequent tours and productions. She is thrilled to have “another helping” with this brilliant creative team. In that time she has choreographed such favorites as
A Day in Hollywood, A Night in the Ukraine, Nunsense, Do Black Patent Leather Shoes Really Reflect Up?, Pump Boys and Dinettes, 1940’s Radio Hour, and
Diamond Studs for which she earned the Twin Cities Drama Critic Award for Best Choreography. She was on the writing team for
The Lovely Liebowitz Sisters and her original choreography of
Pump Boys and Dinettes has been produced over 24 times locally, on national tour, and for an extended run at the Ryman Auditorium in Nashville. She is the artistic director of VISTA Productions which was chosen from over 400 applicants to represent Minnesota at the Fringe Festival in Edinburgh, Scotland. Her work has also been seen on the stage of
The Medora Musical, Hey City Stage, Great American History Theatre, and numerous national tours. Some of her directing credits include
West Side Story, Wings, Children of Eden, Lost In Yonkers, Into The Woods, A Christmas Carol, and
Beehive.
PRODUCER
Troupe America, Inc.
has been touring theatrical productions from coast to coast and in Canada since 1987 under executive director/producer Curt Wollan. Past Troupe America tours include six seasons of
Mr. Pickwick's Christmas, two seasons of Dylan Thomas'
A Childs' Christmas In Wales, five tours of
Pump Boys and Dinettes, two tours of Stephen King's
Ghost Stories, three tours of the stage version of the Emmy Award-winning TV series
Schoolhouse Rock, Live!, a co-production of
The Gifts of the Magi with the Lamb's Theater Company of New York, and tours of
On Golden Pond, Driving Miss Daisy, Steel Magnolias, and Forbidden Broadway with Big League Theatricals of New York. Troupe America also operated the popular Plymouth Playhouse in the Twin Cities area for thirty seven years, having produced a four-year run of
Nunsense, a four-year run of
Pump Boys and Dinettes, and critically acclaimed productions of
Diamond Studs, A Day In Hollywood A Night In The Ukraine, Little Shop of Horrors, The Lovely Liebowitz Sisters, A Closer Walk With Patsy Cline, An Evening with Groucho starring Frank Ferrante, and an eight-year run of a new musical based on Howard Mohr's best-selling book
How To Talk Minnesotan titled
How To Talk Minnesotan The Musical, the off-Broadway success
I Love You, You're Perfect, Now Change, and a series of nine new musicals based on
The Church Basement Ladies, from the best-selling book
Growing Up Lutheran. In 1997, Troupe America produced a highly acclaimed national tour of
The Odd Couple starring
M*A*S*H's Jamie Farr and William Christopher and in 1998-99, the national tour of
Moon Over Buffalo starring Gavin MacLeod. In 1999/2000, Troupe America produced
Hank Williams, Lost Highway starring Jason Petty, and in 2001/2002 produced and toured the national tours of
The Sunshine Boys starring Dick Van Patten and Frank Gorshin and
Same time, Next Year starring Mackenzie Phillips and Adrian Zmed.