SHE KILLS MONSTERS
By Qui Nguyen
She Kills Monsters is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.
First produced in
New York City, The Flea Theater
Jim Simpson, Artistic Director
Carol Ostrow, Producing Director
The show will run for approximately
1 hour and 45 minutes.
There will not be an intermission.
Fog, haze, and strobe lights will be used
during this production.
The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law. For more information, please visit
https://concordtheatricals.com/
resources/protecting-artists
Dear Arts Patrons,
Welcome to this 2023–24 performing arts season production. The quality programming you are about to enjoy, and in which the university community takes so much pride, would be impossible without our friends, benefactors, and audience members. We are very pleased to have you join us.
This season is an expanded and eclectic mix of music, drama, music theatre, and stand-up comedy performed by outstanding artists ranging from nationally known acts to Viterbo students. The carefully crafted schedule reflects our dedication to upholding the legacy of the Franciscan Sisters of Perpetual Adoration and their goal of sharing the wonder of the arts with everyone in the region.
To all Viterbo arts patrons, benefactors, sponsors, volunteers, artists, and students, thank you very much for your continued support.
Enjoy the show! “Pace e Bene”
Peace and all good
Rick Trietley
Viterbo University President
Welcome to the Viterbo University Conservatory for the Performing Arts. We’re so glad you’ve joined in this shared experience of live theatre and music. There’s nothing else quite like it.
This season promises a tapestry of emotions, stories, and melodies, from the enchanting glamour of 42nd Street to the quirky brilliance of Bat Boy: The Musical, and the soul-stirring magic of Godspell.
We’re pleased to bring you new works from some of the most current voices in American theatre. In She Kills Monsters, Obie-award-winner Qui Nguyen offers up a genre-bending Dungeons and Dragons romp that can make you laugh even when you’re not supposed to. Tar Beach by Tammy Ryan drops us into 1977 on a New York City rooftop where an overstressed electrical grid leads to a city-wide blackout and the loss of innocence.
Feel the warmth of the holidays with the music of A Viterbo Christmas: The Holly and The Ivy, blending timeless carols and modern classics to launch the season. And in February, mark your calendars for the jazz-inspired romantic short opera, Later That Same Evening.
Thank you for joining us on this artistic journey as we explore new worlds, challenge perspectives, and create memories that last long after the final curtain.
Rick Walters
Executive Artistic Director
Conservatory for the Performing Arts
Welcome and thank you for attending She Kills Monsters. We are so excited for you to escape into this fantasy world filled with kobolds, skeletons, magic, and so much more! Like the show, the journey has been long and arduous in its path to completion. There was laughter, tears, lots of fight choreography, and bruises. It often felt like we were actually fighting a dragon.
But, this isn’t my first bout with a dragon.
In 1995, at the same time I was a high-school nerd playing Dungeons and Dragons in the basements of my friends' houses, I was told I had cancer for the first time. The journey was not the same as Agnes, but the shadows and scars echoing with the soundtrack of the time was so familiar to me. Every time I visit the world of She Kills Monsters, it teleports me to the greatest battles that I have overcome, and I can only hope that the story teleports you to visions of resilience and hope. Our version of this show is a period piece. You’ll be able to tell that once you hear the music and catch on to some of the Easter eggs hidden in the designs. We have gone to great lengths to take you to 1995 in Athens, Ohio, to sit at our Dungeon Master’s table and experience this once-in-a-generation theatrical experience.
So again, we welcome you to join our party in the Quest for the Lost Soul of Athens!
Benjamin Gonzales
Director
The '90s were a pivotal time for gay rights. Queer communities were still reeling from the devastation of the AIDS epidemic and fighting to be acknowledged in a cultural climate that seemed more interested in ignoring them entirely. In the face of this, a younger generation began to realize that LGBTQ+ people deserved the same rights as anyone else and reinforced their predecessors in the fight for equality. Through this fight, geek counterculture provided many young people with a safe haven.
Dungeons and Dragons is inherently about providing players with a space to explore their identities and be their authentic selves in a reality that doesn’t always celebrate the diversity of humankind. Through fantasy, players have the freedom to create the representation that they can’t find in mainstream culture.
Although theatre and Dungeons and Dragons seem to exist in different worlds, at their core, both are rooted in a love of storytelling. Theatre is a community—and just like in the world of She Kills Monsters, everyone is welcome at our table!
At first glance, She Kills Monsters appears to be a view of adolescence in the 1990s...and it is! However, beneath the layers of Smashing Pumpkins and Poison references, this play sheds a light on the universal truths facing anybody that has ever felt othered by the world around them. She Kills Monsters is, at its core, a piece about identity. It’s a piece about resilience and finding where you can be the hero of your own story.
Athens, Ohio, and the imaginary land of New Landia; 1995
Agnes: Ryan Dettbarn
Tilly: Anna Martinson
Lilith: Makayla Taylor
Kaliope: Elisabeth Meyer
Vera: Cortney Piepenburg
Farrah: Willow–Jo
Tina: Megan Wheelock
Gabbi: Lindsey Meath
Orcus: Ian Zempel
Chuck: Isaac Knudsen
Miles: Robby Alston
Steve: Mahlivanh Fleckenstein
Narrator: Sophie La Fave
Stunt Monsters: Katie Kostner (Tilly understudy), Erica Ashley (Gabbi understudy), Bailey Millimaki (Tina understudy), Lauren Bergquist (Agnes understudy), Marie Peterson (Farrah and Vera understudy), Adelaide Young (Kaliope and Narrator understudy)
Director: Benjamin Gonzales
Fight Choreographer: Teddy Eck
Stage Manager: Joie Steele
Costume Designer: Jen Brown
Scenic Designer: Madi Bollinger
Lighting Designer: Dillon McArdle
Sound Designer: Benjamin Gonzales
Properties Designer: Kelsey Taunt
Hair and Makeup Designer: Shea Grande
Dance Battle Choreography: Beth Anderson, Amber Arevalo Medellin
Production Manager: Jason Underferth
Technical Director: Chad Kolbe
Intimacy Director: Brittany Bara
Assistant Director: Raven Hurlock
Assistant Stage Manager: Alli Austin
Fight Captain: Lauren Bergquist
Sound Engineer: Doug Wilken
Lead Electrician: Jason Underferth
Assistant Technical Director: Madi Bollinger
Costume Shop Supervisor: Alex Bell
Deck Supervisor: Emma Phillips
Light Board Operator: Soph Klemp
Sound Board Operator: Jessica Schneider
Sound Run/Microphones (A2): Spencer Fletcher
Costume Run Crew: Annie Voss, Braeden Jackson, August Knaus, Sydney Ellis
Scenic Run Crew: Brandon Rundquist, Hailey Fernandes, Lou Xiong
Props Run Crew: Ashlyn Cox, Abby Schrunk
Lighting/Electricians: Clay Corley, Sophie La Fave, Halle Utterback
Costume Build Crew: Robby Alston, Colin Cada, Shea Grande, Lindsey Meath, Elisabeth Meyer, Gabby Moten, Calvin Pierce, Josh Terrones, Adelaide Young
Scenic Build Crew: Amber Arevalo, Spencer Curtis, Savannah DeShazo, Reagan Kettner, Jillian Kohl, Cortney Piepenburg, CJ Zimmer
Prop Build Crew: Sophia Barbato, Kjersten Danzig, Ryan Dettbarn, Mackenzie Greenwood, Anna Martinson
Anna Graham
Lisa Lock
La Crosse Community Theatre
River City Hobbies
Nisse Taunt
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