FAC Program

From the President

Dear Audience Members,

Thank you for attending this 2024–25 performing arts season production. The outstanding show you are about to enjoy is part of a thoughtful and carefully selected lineup designed to provide a wide array of entertainment experiences. I would like to acknowledge Dillon McArdle, director of the Viterbo Fine Arts Center, and his incredible staff for their hard work in making this season possible.

Allow me to also extend my gratitude to you—our patrons, benefactors, sponsors, volunteers, and students—for your continued support in bringing the best of the arts to the region. We are fortunate to live in a place with so many cultural and artistic opportunities, just as the members of the Franciscan Sister of Perpetual Adoration envisioned when they built this wonderful facility.

We are very happy to have you join us. On with the show!

“Pace e Bene”
Peace and all good
Rick Trietley signature
Rick Trietley
Viterbo University President

Conservatory Note

Welcome to our 2024-25 season at the Conservatory!

We’re thrilled to invite you on a journey that only live theatre can offer. This season, prepare to experience a diverse array of stories—from gripping mysteries to joyous musical adventures.

We begin our season with the chilling tale of the infamous Sweeney Todd: The Demon Barber of Fleet Street, brought to life by the genius of Stephen Sondheim. By spring, we’ll plunge miles under the sea, where a singing sponge named “Bob” awaits your company.

In between these remarkable tales, we’ll share the community joy of our annual holiday tradition, A Viterbo Christmas: Star of Wonder.

Your journey through the season also features a Tony Award-winning comedy, a powerful true story of courage, a timeless Mozart opera, and an inspiring evening of dance featuring talented young performers on the brink of their professional careers.

You are why we’ve embarked on this journey. Thank you for being with us, and we hope you’ll join us for every moment!

Rick Walters
Rick Walters signature
Executive Artistic Director
Conservatory for the Performing Arts

Director's Note

Welcome to one of the great operatic comedies, The Marriage of Figaro!

Mozart and librettist Lorenzo Da Ponte based their 1786 opera on the second play in Pierre Beaumarchais’ Figaro trilogy. In the first play (The Barber of Seville-the basis for a famous opera by Rossini), barber Figaro helps Count Almaviva win the hand of Rosina over the protestations of her guardian, Dr. Bartolo. Three years later, The Marriage of Figaro rejoins the characters on the day of Figaro’s wedding to Susanna, both of whom are in the employ of Count and Countess Almaviva. As the Count attempts to woo Susanna and enforce a bygone right of the aristocracy to sleep with a new bride on her wedding night, the heartbroken Countess joins forces with Susanna and Figaro to carry off their wedding and unmask his betrayal. All of the zany action in The Marriage of Figaro takes place on one day, from morning scheming to an afternoon wedding to evening escapades.

We have moved the story from 18th century Spain to 1940 America, where the themes of class conflict, gender inequality, infidelity, and forgiveness are as relevant as ever. As in much great art, this opera uses comedy to highlight truths of the human experience while entertaining us. Figaro has been one of my favorite operas since I first saw it, and performing Susanna (who is on stage for almost the whole night!) has been one of the highlights of my singing career. I am thrilled to be making my directorial debut with this piece, and even more thrilled to be doing it alongside these amazing student performers and a fantastic production team. I hope you enjoy watching their creativity and care onstage tonight, underscored by the brilliance of Mozart. As the end of the opera entreats: “Let’s make merry!”

–Jeni Houser

Music Director's Note

Welcome to Viterbo University’s newest adaptation of the timeless classic, Mozart’s The Marriage of Figaro. This is Viterbo’s 5th production in over 50 years, and I would venture to say that they keep getting better with time!

The story of Figaro and Susanna, two servants planning their wedding amidst the amorous advances of their master, Count Almaviva, is as relevant now as it was 250 years ago. It explores themes of class struggle, love, and fidelity, reminding us that human nature has remained remarkably consistent throughout history.

Beyond its entertainment value, opera provides a valuable educational experience for our students. The intricate recitatives and ensemble numbers demand exceptional vocal technique and musicianship. Our students have embraced this challenge, dedicating countless hours to learning and perfecting their roles. Their hard work culminates in this fully staged production, where they can showcase their talents alongside professional artists.

Bringing live opera to our community is a privilege and responsibility. We hope that this production will inspire a new generation of opera lovers, fostering an appreciation for this art form's beauty and complexity. We invite you to join us for an unforgettable evening of music, laughter, and drama.

–James Wilson

Cast

Susanna: Beth Anderson, Skye Hermsen

Figaro: Dylan Woodman

Count: Lukas Nederloe

Countess: Ellyn Werner

Cherubino: Maya Dawson

Marcellina: Gwendolyn Mahoney

Bartolo: David Dewey

Barbarina: Lauren Huserik

Basilio: Tom Hartl

Curzio: Jeremiah Robinson

Antonio: Adam Kurbat

Ensemble: Gigi Marceille, Kieran Sween (Barbarina Understudy), Lynn Barnet, Mackensy Benish, Anastasia Sieren (Cherubino Understudy), Joey Gonzalez, Ethan Blakeney, Andrew Mukka

Orchestra

Conductor/ harpsichord: James Wilson

Concert Master/ Violin I: Wes Luke

Violin I: John Madura, Isabel Carter

Violin II: Marianne Buchanan, Olivia White, Molly Breitlow

Viola: Melissa Madura, Agnes Falter

Cello: Derek Clark, Alex Fowler

Bass: Paul Jewson

Flute: Jonathan Borja

Oboe: Mary Beth Hensel

Clarinet: Mike Chesher

Bassoon: Viva Graff

Horn: Thomas Hunt

Timpani: Tammy Fisher

Production Team

Director: Jeni Houser

Music Director: James Wilson

Production Stage Manager: Noah Blackburn

Costume Designer: Jennifer Van Buskirk

Scenic Designer: Kit Mayer

Lighting Designer: Patrick Strain

Sound Engineer: Douglas P. Wilken

Properties Designer:  Kelsey Taunt

Hair and Makeup Designer: Jennifer Van Buskirk

Rehearsal Pianist: James Wilson, Mary Ellen Haupert

Production Manager: Jason Underferth

Technical Director:  Chad Kolbe

Assistant Stage Manager: Alli Austin

Choreographer: Ethan Blakeney

Fight Choreographer: Zach Buhl

Lead Electrician: Jason Underferth

Costume Shop Supervisor:  Jen Brown

Prop Shop Supervisor: Kelsey Taunt

Assistant Costume Designer: Sydney Ellis

Paint Charge Artist: Madi Bollinger

Supertitles Operator: Phoebe Schwarz

Carpenters: Kit Mayer

Hair and Makeup Supervisor: Vee Jacobson

Wardrobe Supervisor: Isaac Glen

Stage Management Mentor: Teddy Eck

Production Crew

Light Board Operator: Afton Fuson

Sound Board Operator: Ayawyn Conner

Sound Run/Microphones: Hallie Utterback

Costume Run Crew: Isaac Glen, Vee Jacobson

Scenic Run Crew: Sam Asid, Lainie Brown, Alanna Sawall

Costume Build Crew: Jen Brown, Anna Graham, Lisa Lock, Braeden Jackson, Sydney Ellis, Makayla Taylor, Xavier Carnicom, Annie Voss, Malia Meyer, Jess Schneider, Vee Jacobson, Elisabeth Meyer, Adelaide Young, Joie Steele, Isaac Glen, Tiffany Ridolphi, Hailey Fernandes, AJ Murphy

Scenic Build Crew: Spencer Curtis, Sophie La Fave, Sam Asid, Trey’lon Salley, Sony Vassor, Hailee Elwell, Amelia Blasing, Connor Martin

Prop Build Crew: Maggie Berendes, Kayden Kloehn, Katie Kostner, Helen Riddle, McKenzie Greenwood, Megan Wheelock

SUSANNA

Beth Anderson

is a senior music theatre major with minors in dance and arts administration from Warrensburg, Mo. (one hour east of Kansas City). Previous Viterbo credits include Johanna in Sweeney Todd, Phyllis in 42nd Street, and Entourage/Biblical Dramaturg in Godspell. She extends all thanks and honor to God and strives to glorify Him and Him alone with every performance. She thanks her parents for their hard work and love and the Viterbo Conservatory faculty/Center Stage Academy family for their training and support! 2 Corinthians 5:20-21 @bethhandersonn4

FIGHT CHOREOGRAPHER

Zach Buhl

is a second-year music theatre major with an arts administration minor. He is excited to be beginning his performance journey at Viterbo this school year, working on Sweeney Todd. Previous to college, his favorite shows he worked on were Les Miserable (Marius) and Newsies (Jack Kelly). Many thanks to his friends and family for their endless support. @zachbuhl05

ENSEMBLE

Lynn Barnet

is a first-year student who loves to sing as well as all things theatre. She is double majoring in music and communications disorders to further her study of the human voice.

ENSEMBLE

Mackensy Benish

is a sophomore music education major. She has so far not been in any past Viterbo productions while she's been here, but she is super grateful for anything that comes her way. Being on the stage is a wonderful experience and she wouldn't be able to be there with all of the amazing people who support her in and out.

ENSEMBLE/ CHOREOGRAPHER

Ethan Blakeney

is a first-year music theatre major from San Antonio. He is excited to work with his fellow Conservatory peers on all sorts of fun projects in the years to come. Fascinated about how acting can affect audiences emotionally, he looks to continue on his journey to connect with others through performing. In the future, he hopes to fulfill his dream of producing his own Broadway production and leaving his artistic impact on his craft. @blakeney_ethan

CHERUBINO

Maya Dawson

is a first-year BFA music theatre major from Kenosha. This summer she had the chance to perform the pilot show, Between the Lines on the main stage of the International Thespian Festival with her troupe. She is so excited to be a part of this program! @mmdaws0n

BARTOLO

David Dewey

is a sophomore double majoring in music performance and education. You may have seen him in the production Later the Same Evening as Ronaldo Cabral. He is exited to have more performance opportunities and to learn what it means to be a teacher.

ENSEMBLE

Joey Gonzalez

is a first-year music theatre major from San Antonio. He is so excited be a part of the talented class of 2028! He would like to thank everyone in his life that has supported him throughout his college journey! @Joeygonzag

BASILIO

Tom Hartl

has been singing for nine years and performing for six. As of recent, he was a shepherd in Amahl and the Night Visitors, Fernando, Basilio and Curzio in a Mozart opera scenes and played Jimmy O'Keefe in Later that Same Evening. He puts a lot of effort into his work, and he hopes you enjoy the show!

SUSANNA

Skye Hermsen

is a sophomore vocal performance major and psychology minor from Green Bay. She was last seen as Rose Segal in Viterbo's production of Later the Same Evening. She is very excited to be performing at Viterbo again this year! @skye.hermsen

BARBARINA

Lauren Huserik

is a first-year music theatre major from Washington. Some of her favorite roles and past productions include Jane Doe in Ride the Cyclone, and Anna of Cleves in Six (Ballyhoo Theatre), as well as Beauty and the Beast, Catch Me if You Can, Amelie, and The Prom. She would like to thank her parents Jen and Randy, her best friend River, Mr. Mendoza and her service dog Mira. She wouldn't be here without them. @laurengrace333

ANTONIO

Adam Kurbat

is a first-year music theatre major from Phoenix. He's been in choir since he was seven, has taken acting and voice lessons for five years, and has been in several shows since the fifth grade. He's overjoyed to be going to Viterbo University to study his passion of vocal performance and acting. GO V-HAWKS!!!!! @dear_adam_kurbat

MARCELLINA

Gwendolyn Mahoney

is a sophomore neuroscience major and is excited to be apart of her second production. Last year, she was Estelle in Later The Same Evening and is thrilled that she can pursuit her passion for singing while at Viterbo. She would like to thank her friends, family, and teachers for always supporting her. A special shoutout to her wonderful voice teacher at Viterbo, Polly!

ENSEMBLE

Gigi Marceille

is a first-year music theatre major from Evergreen Park, Ill. She is so excited to be a part of the Conservatory! She has been in several productions before the Conservatory and recent credits include The Little Mermaid (Ariel) and Chicago (Velma Kelly). She would like to thank her family (especially her mom and sister) for always supporting and encouraging her. @gigimarceille

COUNT

Lukas Nederloe

is going into his senior year as a vocal performance major. Previous engagements with the music program include Samuel in The Pirates of Penzance, Gus in John Musto's Later that Same Evening, Messiah soloist with the Viterbo Concert Choir, and a member of the Mozart Opera Scenes show! When he's not in one of the university's practice rooms, he likes to spend his time biking, playing tennis, or singing with the many choirs of La Crosse. @lukas_nederloe

ENSEMBLE/ CHERUBINO UNDERSTUDY

Anastasia Sieren

is a sophomore music education major. She hopes you have a great time and enjoy the performance! @verajjane

ENSEMBLE/ BARBARINA UNDERSTUDY

Kieran Sween

is a senior double major in vocal performance and business administration. At Viterbo, roles include Ruth in Later the Same Evening (2024), Isabel in The Pirates of Penzance (2023), and A Viterbo Christmas for Concert Choir and 9th Street Singers (2021, 2022, and 2023). "I want to thank my friends and family for all their continued support over the years. Thank you for coming and enjoy the show!" @kieranevsween

COUNTESS

Ellyn Werner

is a senior music education and vocal performance double major from Lake Mills with a dance minor. Her past Viterbo credits include Elaine O'Neill in Later the Same Evening, Mozart scenes, The Mother in Amahl and the Night Visitors, Speed Dating Tonight, and Gilbert and Sullivan scenes. She is a member of the honors program and serves as the President of NAfME. This last summer, Werner was named a semifinalist in the National Student Auditions in the Upper Collegiate category. She would like to thank her family and friends for their support! @ellyn.werner

FIGARO

Dylan Woodman

is a baritone vocal performance major. Recently he was Joe Harland in Later that Same Evening, and the Major General in Viterbo's production of The Pirates of Penzance. This past summer he participated in The American Spirituals Intensive at the Bayview Music Festival led by Dr. Everett McCorvey.

DIRECTOR

Jeni Houser

is a performer, teacher, and director based in Madison. Opera News lauds her performances as “commanding and duplicitous, yet also vulnerable. She has a bright future above the staff.” Recent performances include reprising her sought-after Queen of the Night at the Metropolitan Opera, singing Cunegonde in Candide in a return to Madison Opera, and joining the Phoenix Symphony, Madison Symphony, and The Florida Orchestra for Carmina Burana. In addition to the Metropolitan Opera, Houser recently made debuts with Los Angeles Opera, Dallas Opera, and Grand Teton Music Festival as Königin der Nacht in Die Zauberflöte, a role she has also sung to great acclaim with many other companies. With the Wiener Staatsoper, she made her international debut as Frantzi in the world premiere of Staud’s Die Weiden, after which she joined the company for its productions of Die Zauberflöte and Trojahn’s Orest. She recently made her role debut as Lucia di Lammermoor in a return to Madison Opera and repeated the role at the Seoul Arts Center. Houser has sung Zerbinetta in Ariadne auf Naxos with Austin Opera and Minnesota Opera; at the latter, she also sang Susanna in Le nozze di Figaro, the Charmeuse in Thaïs, and Mrs. Grady in the world premiere of Paul Moravec’s The Shining. With Madison Opera, she has previously sung Olympia in Les contes d’Hoffmann, Johanna in Sweeney Todd, Anne Egerman in A Little Night Music, and Amy in Adamo’s Little Women. She joined On Site Opera as Susanna in Marcos Portugal’s The Marriage of Figaro in her New York City debut and Fort Worth Opera as Viv in the world premiere of Peters’ Companionship. Houser holds degrees from Lawrence University and the University of Nebraska-Lincoln and is completing doctoral studies at the University of Wisconsin-Madison.

MUSIC DIRECTOR/ REHEARSAL PIANIST

James Wilson

is a conductor, singer, and music educator. As Viterbo University's director of choral studies, he leads the Concert Choir, 9th Street Singers, and Viterbo Choral Arts. Recent performances include the 2024 WCDA Conference, A Viterbo Christmas, Gilbert and Sullivan's The Pirates of Penzance, John Musto's Later the Same Evening, and Charles Gounod's Saint Cecilia Mass, done in collaboration with the La Crosse Symphony Orchestra. Wilson serves as assistant conductor for the LSO and conducts the Symphony for Youth performance series. Wilson's education includes a BM in vocal performance from The Hartt School, an MM in choral conducting from Boston University, and a DMA in choral conducting from the University of Nebraska-Lincoln.

PRODUCTION STAGE MANAGER

Noah Blackburn

is a sophomore music performance major who is involved in the Concert Choir, 9th Street Singers, UWL Wind Ensemble and Orchestra, and works in the Fine Arts Center.

COSTUME DESIGNER/ HAIR AND MAKEUP DESIGNER

Jennifer Van Buskirk

is a visiting guest costume designer. Over the last 10 years, she has worked at theaters across the U.S. as a costume designer and technician, notably The Utah Shakespeare Festival, Black Hills Playhouse, the Arts Center of Coastal Carolina and The Kansas City Repertory Theater. She also served as a tenure track costume design professor for three years at The University of Central Missouri in Warrensburg, Mo. She’s excited to be working with Viterbo students and staff on this wonderful production. Check out her website www.jennifervanbuskirk.com for her full portfolio of work. Previous Design credits: Merry Wives of Windsor, Much Ado About Nothing, Fun Home, Curious Incident of the Dog in the Night-Time, Amadeus, Evita, and more.

LIGHTING DESIGNER

Patrick M. Strain

has been one of La Crosse's friendly neighborhood lighting designers since moving to the area in 2015 and he has lit many of Viterbo's musicals since then, including Footloose, The Pajama Game, Into the Woods, Cats!, and Oklahoma! He has designed scenery and lighting for a variety of theatres around the Midwest, a few on the East Coast and even one in Germany. Trivia about Strain includes that he was one of the scenic artists to paint the "town hall" at ETC world headquarters in Middleton and he was the lighting designer on the first community theatre production of Les Misérables (2001 at the U.S. Military's Roadside Theatre in Heidelberg, Germany).

SOUND ENGINEER

Douglas P. Wilken

has contributed to productions at La Crosse Community Theatre, Cincinnati Playhouse in the Park, and Ensemble Theatre Company. He’s thrilled to again collaborate with the talented artists at the Viterbo Conservator for the Performing Arts.

PROPERTIES DESIGNER/ PROP SHOP SUPERVISOR

Kelsey Taunt

has been working as a freelance theatre artist/designer/teacher for over 15 years. She has a BA in Theatre from the University of Wisconsin-Oshkosh, with a double emphasis in design and acting. Taunt is excited to be a part of Viterbo's Conservatory for the Performing Arts.

REHEARSAL PIANIST

Mary Ellen Haupert

is a tenured professor of music at Viterbo University, and holds a BA in music education with emphases in piano/flute performance from the College of St. Scholastica, as well as MM and PhD degrees in Piano Performance Practice from Washington University in St. Louis. She also holds certificates from the Diocesan School of Biblical Studies and St. Mary’s University (pastoral ministries). In addition to teaching, she was director of music and liturgy at Roncalli Newman Parish from 1998-2023. Her performing interests are almost exclusively in the realm of chamber music. Haupert was artistic director and founder of the One-of-a-Kind Chamber Music Series (2008-2018) and the Bonfire Summer Chamber Music Series (2018-2022), and currently directs and performs on Viterbo University’s Out-of-Our-Minds Chamber Music Series (2018-present). She has recorded Louise Farrenc’s Sonata for Piano and Cello in B-flat Major, Op. 46 (comp. 1857-1858) and the Sonata for Piano and Violin in A Major, Op. 39 (comp. 1850-1855) with violinist Nancy Oliveros and cellist Kirsten Whitson in July 2012, as well as (2014) Farrenc’s two piano trios, Opus 33 and 34 with Nancy Oliveros and cellist Laura Sewell, both on the CENTAUR LABEL. Haupert has received both of Viterbo University’s most prestigious teaching awards: the Alec Chui Memorial Award (2012) and Teacher of the Year (2014), recognizing her dedication to excellence in student research and music composition. She was named a research fellow for Viterbo University's Institute for Ethics in Leadership (2015-2016). Her theory pedagogy, emphasizing music composition as an integral part of the curriculum, has been presented/published at the University of Wisconsin MACRO Workshop (Madison, WI, June, 2012), The 4th World Piano Conference in Novi Sad, Serbia (Novi Sad, 2012) Second Annual International Conference on Fine and Performing Arts (Athens, Greece, 2010), the International Conference on Education and New Technologies (Barcelona, Spain, 2009 and 2012), the Lilly-West Conference on Teaching and Learning (Pomona, CA), and at the Finch Center for Teaching and Learning (Maryville University, St. Louis, MO).    www.maryellenhaupert.com

PRODUCTION MANAGER/ LEAD ELECTRICIAN

Jason Underferth

is a seasoned lighting designer with over two decades of experience illuminating the stages of the Midwest. He has dedicated the past decade to shaping the theatrical landscape as the production manager and lighting design lecturer at Saint Mary's University in Winona, Minn. During his tenure, he artfully designed the visual components for more than 40 shows. Notable productions in Underferth's portfolio include Man of La Mancha and Enchanted April, both showcased at The Commonweal Theatre Company. Now embarking on his third year at Viterbo, Underferth is eager to contribute his expertise as the production manager for the Conservatory for the Performing Arts. He looks forward to creating memorable experiences for the Conservatory's upcoming performances through his lighting designs.

TECHNICAL DIRECTOR

Chad Kolbe

is an associate Professor of theatre in his 19th year teaching at Viterbo. He teaches design and technology courses such as stage craft, principles of design, theatre practicum, and stage lighting. He also serves as technical director and lighting designer for the theatre and music theatre department. Before beginning his journey at Viterbo, Kolbe served two years as instructor and technical director at The University of Northern Iowa. For six years, he served as the technical director for the Texas Shakespeare Festival in Kilgore, Texas. Prior to that, he served three years as carpenter, head rigger, and assistant technical director for The Des Moines Metro Opera. Kolbe enjoys time with family and friends and being outside exploring all La Crosse and the surrounding areas have to offer.

ASSISTANT STAGE MANAGER

Alli Austin

is a sophomore theatre major with an emphasis in stage management. Former Viterbo credits include She Kills Monsters and Bat Boy: The Musical (ASM), as well as stage managing Viterbo Student Theatre Project's (STP) production of Much Ado About Nothing. She would like to thank her family and friends, and hopes you enjoy the show!

ASSISTANT COSTUME DESIGNER

Sydney Ellis

is a sophomore music theatre major with music and dance minors from Chatfield, Minn. She was most recently seen as a featured dancer in Viterbo's production of Godspell last spring. When not on stage, you can find her as a member of the Viterbo University Dance Team, or playing live music around La Crosse. She would like to thank her family and friends for their continuous support, and dedicate this performance to her uncle Richard. @sydneygraceellis

PAINT CHARGE ARTIST

Madi Bollinger

is from California where she was a lighting, sound, and scenic designer, an assistant technical director, and stagecraft teacher. She has a BA in technical theatre from CSU Fresno and is earning an MFA in technical direction from the University of Idaho. Some previous credits include: Lighting: Mary Poppins, Be More Chill, Arabian Nights, Clybourne Park; Scenic: Mamma Mia, Into The Woods, Freaky Friday; Fly Lead: Disney's Descendants, Sister Act, Tuck Everlasting.

HAIR AND MAKEUP SUPERVISOR

Vee Jacobson

is a first-year theatre major. Having honed her skills through numerous productions over the years, she brings a unique blend of talent and enthusiasm to every role she undertakes. Her commitment to the craft is evident in her nuanced performances and her ability to connect deeply with her audience. Whether on stage or behind the scenes, she continuously strives to push the boundaries of her artistry, striving to make each production a memorable experience for everyone. @vee_jacobson

WARDROBE SUPERVISOR

Isaac Glen

is a third-year music theatre major with a dance minor. Their past credits include Bud/Pan and Batboy u/s (Bat Boy: The Musical), Chuck (She Kills Monsters), and Swing (The Pirates of Penzance). They were also involved with Viterbo's Film Club last year as Max (The Warehouse). Glen has also been involved with Viterbo's Student Theatre Project as Claudio (Much Ado About Nothing). Glen is thrilled for their junior year! @isaacglen_

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Cast

SUSANNA

Beth Anderson

FIGHT CHOREOGRAPHER

Zach Buhl

ENSEMBLE

Lynn Barnet

ENSEMBLE

Mackensy Benish

ENSEMBLE/ CHOREOGRAPHER

Ethan Blakeney

CHERUBINO

Maya Dawson

BARTOLO

David Dewey

ENSEMBLE

Joey Gonzalez

BASILIO

Tom Hartl

SUSANNA

Skye Hermsen

BARBARINA

Lauren Huserik

ANTONIO

Adam Kurbat

MARCELLINA

Gwendolyn Mahoney

ENSEMBLE

Gigi Marceille

COUNT

Lukas Nederloe

ENSEMBLE/ CHERUBINO UNDERSTUDY

Anastasia Sieren

ENSEMBLE/ BARBARINA UNDERSTUDY

Kieran Sween

COUNTESS

Ellyn Werner

FIGARO

Dylan Woodman

Production Team

DIRECTOR

Jeni Houser

MUSIC DIRECTOR/ REHEARSAL PIANIST

James Wilson

PRODUCTION STAGE MANAGER

Noah Blackburn

COSTUME DESIGNER/ HAIR AND MAKEUP DESIGNER

Jennifer Van Buskirk

LIGHTING DESIGNER

Patrick M. Strain

SOUND ENGINEER

Douglas P. Wilken

PROPERTIES DESIGNER/ PROP SHOP SUPERVISOR

Kelsey Taunt

REHEARSAL PIANIST

Mary Ellen Haupert

PRODUCTION MANAGER/ LEAD ELECTRICIAN

Jason Underferth

TECHNICAL DIRECTOR

Chad Kolbe

ASSISTANT STAGE MANAGER

Alli Austin

ASSISTANT COSTUME DESIGNER

Sydney Ellis

PAINT CHARGE ARTIST

Madi Bollinger

HAIR AND MAKEUP SUPERVISOR

Vee Jacobson

WARDROBE SUPERVISOR

Isaac Glen

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