FAC Program

STEP AFRIKA!

Administrative, Creative Team

C. Brian Williams: Founder and Executive Producer

Lamar Lovelace: Executive Director

Mfoniso Akpan: Artistic Director

Conrad R. Kelly II: Assistant Artistic Director

Margo Cunningham: Senior Marketing Manager

Pascha Barnwell: Company Manager

Chrystal "Chrys" Vaughan: Manager, Events and Special Projects

Melissa Brown: Production Manager

Company

Conrad R. Kelly II
Ariel Dykes
Keomi Givens Jr.
Kamala Hargrove
Isaiah O'Connor
Keanu Powell
Ericka Still
Brie Turner
Joseph Vasquez
Pelham Warner Jr.
Robert Warnsley

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www.stepafrika.org

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The Company’s self-titled work Step Afrika! introduces audiences to stepping through both a traditional and contemporary lens. Step Afrika! incorporates percussive dance styles practiced by historically African American fraternities and sororities; traditional African dances; and an array of contemporary dance and art forms into a cohesive, compelling artistic experience. Performances are much more than dance shows; they integrate songs, storytelling, humor, and audience participation. The blend of technique, agility, and pure energy makes each performance unique and leaves the audience with their hearts pounding.

Step Afrika! Program

TRIBUTE CHOREOGRAPHED BY JAKARI SHERMAN

Tribute pays homage to the African American step show. The work combines the distinct stepping styles from different fraternities and sororities and blends them to showcase the incredible variety of stepping. Tribute includes all the exciting elements of the step show--the use of props, ripples and floor work, creative formations, and audience participation.

NDLAMU CHOREOGRAPHED BY JACKIE SEMELA

Ndlamu is a traditional dance of the Zulu people and for more than 25 years, Step Afrika! has studied the dance form through the Company’s long-standing partnership with the Soweto Dance Theater. Step Afrika! makes this Ndlamu uniquely its own featuring solos created by each dancer as well as the addition of contemporary movement.

ISICATHULO CHOREOGRAPHED BY JACKIE SEMELA

Isicathulo or “the gumboot dance” is a tradition created by South African workers who labored in the oppressive mining industry of then-apartheid South Africa. Isolated from their families for long periods, the miners transformed their rubber boots into percussive instruments to not only entertain but to share secret messages with each other. Isicathulo has become one of the most popular dance forms in South Africa and has striking similarities to the African-American tradition of stepping.

SOLO

Traditionally, stepping is performed by groups, big and small. In this Solo, Step Afrika! investigates the form at its most intimate level.

CHICAGO CHOREOGRAPHED BY JAKARI SHERMAN

Chicago finds the rhythm in everyday situations. It is a percussive symphony using body percussion and up to 5 complex polyrhythms performed simultaneously in order to narrate a percussive dance “story.” Inspired by a summer spent in the Windy City, this ground-breaking work transforms the 100+ year old, folkloric tradition of stepping into contemporary performance art.

Special Note

Audience participation has been a part of the step tradition since its inception in the 1900s. Members of the audience are invited to clap, stomp, cheer and participate in call and response with the Artists.

The Story of Step Afrika!

Founded in 1994 by C. Brian Williams, Step Afrika! is the world’s leading authority on the art form of stepping. Under Mr. Williams’ leadership, stepping has evolved into one of America’s cultural exports, touring more than 60 countries across the globe and ranking as one of the top 10 African American Dance Companies in the US.

Step Afrika! blends percussive dance styles practiced by historically African American fraternities and sororities; traditional African dances; and an array of contemporary dance and art forms into a cohesive, compelling artistic experience. Performances are much more than dance shows; they integrate songs, storytelling, humor, and audience participation. The blend of technique, agility, and pure energy makes each performance unique and leaves the audience with their hearts pounding.

Step Afrika! promotes stepping as an educational tool for young people, focusing on teamwork, academic achievement and cross-cultural understanding. The Company reaches tens of thousands of Americans each year through a 50-city tour of colleges and theaters and performs globally as Washington, DC’s one and only Cultural Ambassador.

Step Afrika! has earned Mayor’s Arts Awards for Outstanding Contribution to Arts Education, Innovation in the Arts, and Excellence in an Artistic Discipline, and was inducted into the National Association of Campus Activities (NACA) Hall of Fame, the first Dance Company to earn this honor. Step Afrika! headlined President Barack Obama’s Black History Month Reception and performed at the first ever Juneteenth Celebration at the White House. The Company is featured prominently at the Smithsonian’s National Museum of African American History & Culture with the world’s first stepping interactive exhibit.

Founder and Executive Producer

C. BRIAN WILLIAMS

is a native of Houston and a graduate of Howard University. He first learned to step as a member of Alpha Phi Alpha Fraternity, Inc.—Beta Chapter, in the Spring of 1989. While living in Southern Africa, he began to research the percussive dance tradition of stepping, exploring the many sides of this exciting, yet under-recognized American art form, and founded Step Afrika! in 1994. Williams has performed, lectured, and taught in Europe, Central and South America, Africa, Asia, the Middle East, the Caribbean, and throughout the United States. Through Williams’ leadership, stepping has evolved into one of America’s newest cultural exports and inspired the designation of Step Afrika! as Washington, DC’s official "Cultural Ambassador."

In 2022, the National Endowment of the Arts designated Williams as a National Heritage Fellow, the nation’s highest honor in folk and traditional arts. He is the recipient of numerous Artist Fellowships; the World Alive! Distinguished Artist Award by Arts Emerson; the Mayor’s Arts Award for Visionary Leadership from the DC Commission on the Arts and Humanities; Distinguished Arts Award from the Coalition for African Americans in the Performing Arts; and the Pola Nirenska Award for Contemporary Achievement in Dance. He is also featured in Soulstepping, the first book to document the history of stepping. He also earned the Mayor’s Art Award for Innovation in the Arts and has led the Company to multiple Metro DC Dance Awards for “Outstanding New Work,” “Excellence in Stage Design/Multimedia,” and “Outstanding Group Performance.” Williams has been cited as a “civic/community visionary” by NV Magazine, a “nation builder” by the National Black Caucus of State Legislators and a “minority business leader” by the Washington Business Journal. His work is featured prominently at the Smithsonian Museum of African-American History and Culture in Washington, DC.

Executive Director

LAMAR LOVELACE

is responsible for the organization’s strategy and operations, leading its staff, programs, and the execution of its mission. Working closely with Step Afrika!’s board of directors, he spearheads fundraising, marketing, operations, and long-range planning for the organization. He brings deep expertise from academia and has managed the organization’s humanities-based partnerships.

In July 2017, Lovelace joined Step Afrika! as deputy executive director, where he oversaw the dance Company’s communications and marketing strategy, fundraising efforts, and financial operations. Previously, he spent 8 years at Columbia University as assistant director in the Office of Community Outreach and Education and Director of Public Programs and Events. At the New York City-based campus, he managed community-based partnerships and special events and produced large-scale, humanities-based programming opportunities to engage students, faculty, and staff.

At Broward College in Fort Lauderdale, Fla., Lovelace was director of Cultural Affairs and Student Engagement, where he created arts-based social justice programs and exhibitions. He holds Master’s degrees in Arts Management and Oral History from Carnegie Mellon and Columbia, respectively, and a BA in Speech and Hearing Science from the University of Illinois at Urbana-Champaign. Lovelace is a member of Kappa Alpha Psi Fraternity, Inc.