ANTIGONE
By Sophocles
Translated by Robert Fagles
Any photos, video, and/or audio recording of this performance is strictly prohibited.
No intermisison.
Age Recommendation: 13 and up for mature themes of justice, civil disobedience, and death; best suited for middle school and up with contextual understanding.
Antigone from The Three Theaban Plays by Sophocles, translated by Robert Fagles. Copyright © Robert Fagles, 1982, 1984.
The play is performed through arrangement with Georges Borchardt, Inc., on behalf of the Estate of Robert Fagles. All rights reserved.
Dear Audience Members,
It’s great to have you with us. The 2025–26 performing arts season is a blend of outstanding music, comedy, dance, and drama sure to entertain and rouse the emotions while reminding us all of everything we love about the arts.
Each production is made possible through the hard work and support of our staff, volunteers, students, faculty, benefactors, sponsors, the FSPA whose vision and courage made the Fine Arts Center possible, and of course, you—our patrons. Thank you to everyone for your crucial role in making Viterbo University the premier destination for the arts in the region.
If you have not yet had the pleasure, I would like to extend a personal invitation to attend one of our Conservatory for the Performing Arts productions this season. The immense talent of our students always makes me extremely proud.
Now, on with the show!
“Pace e Bene”
Peace and all good

Rick Trietley
Viterbo University President
Welcome to our 2025-26 season at the Conservatory!
Great stories and great music have the power to touch lives, inspire hope, and create community and a sense of belonging. This season, our stages will be alive with bold, heartfelt work from the extraordinary young artists in our Theatre, Musical Theatre, and Music programs.
From timeless classics to fresh new works, from joyful celebrations to thought-provoking journeys, every performance reflects the passion, courage, and artistry of students refining their creative voices. And you—our audience—are the essential ingredient that turns their hard work from “just another rehearsal” into something extraordinary.
By joining us, you’re not only experiencing the magic of live performance—you’re helping shape the next generation of artists who will carry that magic into communities across the country and around the world. Thank you for believing, as we do, in the power of the arts to surprise, to connect, to transform, and to inspire.
Rick Walters

Executive Artistic Director
Conservatory for the Performing Arts
Antigone is the second play written but the third play chronologically in Sophocles’ Theban trilogy, yet they were not written consecutively for a Dionysian festival. Additionally, Aeschylus's Seven of Thebes fits right between the timeline of the second (Oedipus at Colonus) and the third (Antigone) plays, making the Theban story not a trilogy but a long tale with many chapters. Antigone, as far as we are aware, is the final chapter of the curses set upon Thebes in conjunction with the fall of the House of Cadmus.
This play, however, fits beautifully as a stand-alone tale, questioning the rules and order of power through the state in contrast to morality, fate, and doing the right thing. Our production is not attempting to recreate or hypothesize a performance or oratory style from circa 2,500 years ago, but to demonstrate that these stories we’ve been telling each other for millennia are still relevant. We may have never listened to nor learned from the sacrifice these ancestral stories are telling.
I ask that we all peer into the shadows of our past, to see ourselves, a perpetually shared fate, our humanity, and are the rules of the state in conflict with our divine selves.
–Benjamin Gonzales
Antigone: Malia Meyer
Ismene: Sydney Ellis
Creon: Samual Asid
Haemon: Thomas Rise
Tiresias: Ayawyn Conner
Eurydice (U/S Ismene): Hailey Fernandes
Chorus Leader/Nyx: Carley Clover
Messenger: Alanna Sawall
Sentry: Connie Buhl
Chorus/Clotho: Madalaine Brown
Chorus/Atropos (U/S Antigone): Vee Jacobson
Chorus/Lachesis (U/S Chorus Leader and Eurydice): Jamie Allen
U/S = Understudy
Director: Benjamin Gonzales
Fight Choreographer: Mike Speck
Production Stage Manager: Alex Attardo
Costume Designer: Jen Brown
Scenic Designer: Sadie Ward
Lighting Designer: Patrick M. Strain
Sound Designer/Composer: Leo Chavolla Barrera
Sound Engineer: Leo Chavolla Barrera
Properties Designer: Xavier Carnicom
Hair and Makeup Designer: Annie Voss
Production Manager: Jason Underferth
Technical Director: Chad Kolbe
Assistant Stage Manager: Madalaine Brown, Connor Martin
Choral Choreographer: Carley Clover
Fight Captain: Madalaine Brown
Lead Electrician: Jason Underferth
Costume Shop Supervisor: Jen Brown
Prop Shop Supervisor: Kelsey Taunt
Assistant Costume Designer: AJ Murphy
Costume Run Crew Supervisor: Claire Capra
Shadow Specialist/Consultant: Kristin Schoenecker
Light Board Operator: Natalynn McNabb
Sound/ Microphones: Aerin Gotts, Davin Williams, Angel Hernandez
Sound Run/Microphones: Grace Lehner, Evan Thomas
Costume Run Crew: Addie Snyder, Cooper Langer, Faye Muma, Alanna Wagner
Scenic Run Crew: Tyler Barnes, Bonnie Gentry, Roella Weiss, Henri Copus
Props Run Crew: Lucas Wienken, David Dewey
Costume Build Crew: Sydney Ellis, Braeden Jackson, Xavier Carnicom, Isaac Glen, Kayla Taylor, Annie Voss, Malia Meyer, Laurelle Bandy, Braydon Dayne, Carley Clover, Bonnie Gentry, Vee Jacobson, AJ Murphy, Addie Snyder, Jen Brown, Anna Graham, Lisa Lock
Scenic Build and Lighting Crew: Ayawyn Conner, Afton Fuson, Isabella Lambert, Hailee Elwell, Alanna Sawall, Samual Asid, Roella Weiss, Ash Williams, Trey'lon Salley, Sony Vassor, Selma Olsen, Naomi Joseph
Prop Build Crew: Vee Jacobson, Xavier Carnicom, Katie Kostner, Helen Riddle, Kayden Kloehn, Thomas Rise, Rubie Stetzer, Selma Olsen
He currently serves as the national chair of the Kennedy Center American College Theatre Festival's (KCACTF) National Playwriting Program (NPP) and has previously served as the inaugural Representation, Equity, and Diversity (RED) Chair/Coordinator for KCACTF.
Plays written by Gonzales include: The Lion and Lamb (2016), Memoria de Oaxaca (2017), Up Chimacum Creek (2018), VOUCHer (2018), The Good Soldier (2018), Sour Mash (2019), and An Enemy of the People (2025).
Through her innovative approach to costume design, she has brought countless characters to life, enhancing the storytelling with carefully crafted, visually striking costumes. Some of her favorite design credits include Three Sisters, Charley's Aunt, Our Town, Failure: A Love Story, Measure for Measure, The Hello Girls, and She Kills Monsters.
As a 1999 graduate of Viterbo with a Bachelor of Fine Arts in Theatre Design, she is known for her versatility and her ability to design across both dramatic and music theatre. Above all, she is driven by a passion for creating designs that not only support but elevate the artistic vision of each production.
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