Please silence all cell phones.
No photography or video recording is permitted during the performance.
There will be one fifteen-minute intermission.
Dear Audience Members,
It's great to have you with us. The 2025–26 performing arts season is a blend of outstanding music, comedy, dance, and drama sure to entertain and rouse the emotions while reminding us all of everything we love about the arts.
Each production is made possible through the hard work and support of our staff, volunteers, students, faculty, benefactors, sponsors, the FSPA whose vision and courage made the Fine Arts Center possible, and of course, you—our patrons. Thank you to everyone for your crucial role in making Viterbo University the premier destination for the arts in the region.
If you have not yet had the pleasure, I would like to extend a personal invitation to attend one of our Conservatory for the Performing Arts productions this season. The immense talent of our students always makes me extremely proud.
Now, on with the show!
"Pace e Bene"
Peace and all good
Rick Trietley
Viterbo University President
Welcome to our 2025-26 season at the Conservatory!
Great stories and great music have the power to touch lives, inspire hope, and create community and a sense of belonging. This season, our stages will be alive with bold, heartfelt work from the extraordinary young artists in our Theatre, Musical Theatre, and Music programs.
From timeless classics to fresh new works, from joyful celebrations to thought-provoking journeys, every performance reflects the passion, courage, and artistry of students refining their creative voices. And you—our audience—are the essential ingredient that turns their hard work from "just another rehearsal" into something extraordinary.
By joining us, you're not only experiencing the magic of live performance—you're helping shape the next generation of artists who will carry that magic into communities across the country and around the world. Thank you for believing, as we do, in the power of the arts to surprise, to connect, to transform, and to inspire.
Rick Walters

Executive Artistic Director
Conservatory for the Performing Arts
By the time we open our production of The Mousetrap, it will have been performed over 30,000 times in London since its opening in 1952, making it the world's longest running play. The show's longevity can only be attributed to Agatha Christie's sharp wit and dialogue combined with the universal appeal of a classic 'whodunnit.' Over the past 70 years our obsession with murder mysteries, horror, true crime podcasts and documentaries and all things macabre can surely be attributed in part to Christie's genre defining works. There would be no Knives Out, Clue, or Scream without the formula Agatha Christie perfected that mixes humor, suspense, subterfuge and a good twist. So please enjoy one of the classic mysteries in the theater canon, see if you can figure out the culprit, and if you know the ending, please hush hush- we don't want to spoil the game for any new players.
— Daniel Pivovar, Director
Act 1
Scene 1: 1950s. England. The Great Hall at Monkswell Manor. Late Afternoon.
Scene 2: The same. The following day after lunch.
INTERMISSION
There will be one fifteen-minute intermission.
Act 2
The same. Ten minutes later.
Mollie Ralston: Ellie Parish
Voice on Radio: Thomas Rise
Giles Ralston: Will Markert
Christopher Wren: Xavier Carnicom
Mrs. Boyle: Lauren Huserik
Major Metcalf: Sam Asid
Miss Casewell: Carley Clover
Mr. Paravicini: Angel Hernandez
Sergeant Trotter: Kayden Kloehn
Henri Copus: Christopher Wren/Mr. Paravicini
Maya Dawson: Mollie Ralston/Mrs. Boyle
Cooper Langer: Giles Ralston/Major Metcalf
Thomas Rise: Sergeant Trotter
Addie Snyder: Miss Casewell
Director: Daniel Pivovar
Intimacy Director: Brittany Bara
Production Stage Manager: Alli Austin
Costume Designer: Sydney Ellis
Scenic Designer: Kit Mayer
Lighting Designer: Jason Underferth
Sound Designer: Leo Chavolla
Sound Engineer: Leo Chavolla
Properties Designer: Kelsey Taunt
Hair and Makeup Designer: Sydney Ellis
Production Manager: Jason Underferth
Technical Director: Chad Kolbe
Assistant Director: Malia Meyer
Assistant Stage Manager: Dominic Morara, Roella Weiss
Fight Captain: Malia Meyer
Lead Electrician: Jason Underferth
Costume Shop Supervisor: Jen Brown
Prop Shop Supervisor: Kelsey Taunt
Assistant Sound Designer: Aerin Gotts
Assistant Properties Designer: Katie Kostner
Assistant Costume Designer: Alanna Sawall
Assistant Hair and Makeup Designer: Tina Bagheri
Paint Charge Artist: Kit Mayer
Costume Run Crew Supervisor: Isaac Glen
Dialect Coach: Brittany Bara
Light Board Operator: Aidan Christensen
Sound Run/Microphones: Davin Williams, Ash Williams
Costume Run Crew: Lana Wagner, Gabby Barnes
Scenic Run Crew: Emily Nicol, Jillian Arthur
Props Run Crew: Tyler Barnes, Ayawyn Conner, Grace Hyde, Grace Lehner
Costume Build Crew: Sydney Ellis, Braeden Jackson, Xavier Carnicom, Isaac Glen, Kayla Taylor, Annie Voss, Malia Meyer, Laurelle Bandy, Braydon Dayne, Carley Clover, Bonnie Gentry, Vee Jacobson, AJ Murphy, Addie Snyder, Henri Copus, Eliana Erdmann, Faye Muma, Jillian Hurley, Hannah Kelley, Jen Brown, Anna Graham, Lisa Lock
Scenic Build Crew and Lighting: Samual Asid, Roella Weiss, Ash Williams, Trey Salley, Sony Vassor, Selma Olsen, Naomi Joseph, Lynn Barnet, Angel Hernandez, David Dewey, Kayden Kloehn
Prop Build Crew: Rubie Stetzer, Sony Vassor, Ethan Blakeney, Addie Snyder
Upcoming Directing Projects: I Love You Because (Viterbo), Silent Sky (LCT). Recent La Crosse theatre credits: Jen in John & Jen, Becky in LCT's Waitress. Viterbo Directing: Sweeney Todd: the Demon Barber of Fleet Street, Tar Beach, The Hello Girls, Amahl and the Night Visitors. Bara is VASTA's 2024 Dorothy Mennen Research/Development Grant awardee. She holds a BFA in Musical Theatre from Emerson College in Boston and an MFA in Performance Pedagogy from the University of Pittsburgh. www.brittanybara.com @bbara
Through her innovative approach to costume design, she has brought countless characters to life, enhancing the storytelling with carefully crafted, visually striking costumes. Some of her favorite design credits include Three Sisters, Charley's Aunt, Our Town, Failure: A Love Story, Measure for Measure, The Hello Girls, and She Kills Monsters.
As a 1999 graduate of Viterbo with a Bachelor of Fine Arts in Theatre Design, she is known for her versatility and her ability to design across both dramatic and music theatre. Above all, she is driven by a passion for creating designs that not only support but elevate the artistic vision of each production.
Copyright 2026 © Viterbo University.
All rights reserved.